narin kietikul

Design historian, researcher, crafter, designer
Narin (they/them) is a researcher based in London interested in how craft knowledge moves between makers, teachers, and producers. Their interests also include nonbinary and trans fashion and how digital technologies affect craft spaces. Also a believer in first-hand learning as methodology, Narin practices various fibre crafts including sewing, weaving, knitting, and spinning.
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Video:
Narin weaving at Marshfield School of Weaving on a counterblanace loom with handspun weft. 2023

About


Currently a design researcher in London, Narin’s interests span across time periods, from the nineteenth century to today following how craft knowledge is preserved through and by the people who practice it. 

In all of their studies, they incorporate the craft skills they have learned first-hand as an active methodology while maintaining a decolonial approach. Through the democratization of knowledge, they hope to reverse the colonialist structures and systems that endanger craft knowledge.

Originally from San Francisco, CA, and previously living in Missoula, MT, Narin was a freelance graphic designer, working across different sectors and consultancies in print and digital to bring brands identities, events, and media compaigns to life. Their design portfolio is available here.

Research


Narin’s previous study was at the History of Design MA Programme at the Royal College of Art and V&A, where they were awarded the 2026 Clive Wainwright Memorial Prize and a distinction for their dissertation. Their dissertation examines how paper sewing patterns have evolved since the 2000s by examining the relationship between nonbinary and trans sewists and traditionally gendered garments. They also delve into the digital revolution in home-sewing, its effects on indie pattern designers relationships with their customer base, and how social media plays an active role in today’s home sewing landscape.

Previously, they examined a sample of nineteenth century jacquard weaving, tracing the sample back through the V&A in London to Warner Textile Archives in Braintree to uncover the emerging career of ‘designer’ and its separation from ‘weaver’ in the rapid industriazliation of the weaving economy of East London. 

    Craft Skills


    • Sewing: Intermediate–advanced garment making and finishing
    • Knitting: Stranded colorwork and cabling, intermediate garment construction
    • Weaving: Counterbalance and jack looms, multi-thread warp winding, multi-warp threading
    • Spinning: Great wheel, treadle wheels, drop spindles
    • Fiber preparation: Raw fleece processing, carding

    Digital Skills

    • Front end web development: Beginner html, css, javascript, jQuery

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    © Narin Kietikul 2026